22 June 2020
Back in the "old normal," driving through the hellish Metro Manila traffic required a certain level of calmness, which on most days (and nights) for me meant listening to podcasts. It started out as a nostalgia thing - I wanted to relive my college years by listening to late-2000s The Morning Rush episodes (with just Chico and Delamar). But after the novelty of that wore off, I eventually stumbled upon content that resonated more with my current interests: podcasts with my favorite comedians and screenwriters.
A side note: I have always considered myself lucky that I don't really have a "What If?" course, because I had the fortunate circumstance of actually having graduated from it: Creative Writing. Being a literature major meant I had so many doors opened for me in a field that most people could only dream of dipping their toes in. I was exposed to great Anglo-American, Asian, and Latin literature, and was so happy to have been introduced to fantastic works of Philippine literature in English. In our course, we were required to choose three tracks to major in. I took up fiction and non-fiction, because these were the ones I enjoyed reading (and workshopping) the most. But I also chose playwriting, because I've always had a profound curiosity to what goes into the writing of a script. Even then, I loved quick and fast-paced comedy. I knew I wanted to learn how to make something ordinarily funny work on stage or on screen. While my best professors were the ones in my fiction, non-fiction, and poetry classes, I felt a quiet sense of affinity to my drama, playwriting and screenwriting electives. Alas, if I ever were to have a "What If?", it wouldn't have been as to my course as much as it would have been to a career. I wish I could have been a screenwriter. (For a late night show, or a sketch show, or a comedy series, at least.)
Ah, one could dream.
But, at least, one could listen to podcasts.
And that's what's great for me about stumbling into Conan O'Brien Needs A Friend, WTF with Marc Maron, NBC's The Good Place Podcast, Vulture's Good One, Armchair Expert with Dax Shepard, and other shows that feature actors, writers, comedians, and basically people whose craft involve conceptualizing, writing, and acting out lines. Making things work on the page, and making them jump out on stage. There is so much value in comedy for me because it has the power of saying so much and giving the most impact in just a few lines. It grabs your attention quickly. I think this is what most people underestimate about this genre. They think landing jokes is easy. But it isn't. Something about it has to be organic. Natural. And it has to come from a place of profundity - or at the very least, an acute perceptiveness.
On my most recent drive to and from my mom's office (I'm her designated driver on days she has to be physically present at work) today, I tuned into the newest episode of Marc Maron's WTF podcast featuring Jerry Seinfeld. This interview turned out to be a good glimpse of his "philosophy" as a comedian, what made him successful - and, ultimately, why I think he is no longer as "resonant" as he was before or as compared with other comedians.
Jerry Seinfeld is a craftsman. He crafts jokes. And he's really good at it. He can look at the simplest of things - waiting in line at a Chinese restaurant, for example (from Seinfeld Season 2) - and find the hilarity in that. Funny, to him, is both organic and made. "If you're funny, you're funny," he said in the podcast. But he also diligently writes his jokes. He refines them, works them out until they're really airtight. It's a kind of craftsmanship that's really admirable, and not surprisingly, the primary reason for his success. He doesn't rely on a sad back story (he doesn't have one), a difficult upbringing (his parents were very supportive), or a traumatic experience (he moved out and somehow succeeded through sheer luck and hard work) to click with the audience. He's just very astute with his observations, and understands what it means to work on something funny - and make it funnier.
Jerry: "Why haven't we met before?"Marc: "I think I represent something chaotic that you tend to avoid."Jerry: "That's probably true."
Marc Maron is the complete opposite of that. He connects with the audience, both through his stand-ups and his podcast, by revealing his soul, his innermost thoughts. Unlike Jerry, much of his comedy is shaped by his most seminal experiences. His life goes hand-in-hand with the art he produces. Much of his work is shaped by pain and grief. The way he performs is always in relation to his current state of mind. And that's what makes his comedy so resonant, because he doesn't shy away from what is messy and scary and f*cked up about his life, and life in general.
Jerry: "Funny has nothing to do with anything."Marc: "But it does serve a purpose. The reason you're funny is because it's part of your ability to deflect, to change."
Marc notes that Jerry's kind of comedy isn't much of a risk, as it doesn't involve putting himself in his comedy. But for Jerry, the very act of delivering jokes is putting himself out there. He doesn't have to go into the whys and hows of what makes his comedy work and why he enjoys doing it. Unlike Marc, he doesn't derive pleasure from figuring out certain aspects of himself through his work. He just wants to write jokes, period.
Marc: "You never questioned the psychology of funny?"Jerry: "No. I reject that premise.Marc: So there's no why?"Jerry: "No. And if there is, who cares."
I loved that despite their very opposing views, they were actually hilarious together. It was like listening to two philosophers having different beliefs on what it means to be good. While their comedic ideologies are at odds with each other, no one is entirely right or wrong. The conversation brought out such unique insights on comedy and what it can mean to us. Marc tries to understand Jerry's way of thinking, because he wants to find out who the real "Jerry" behind the jokes is. But this is the real Jerry: the one that writes jokes. His comedy is as simple and straightforward as he is. On the other hand, Marc's comedic persona is complex and raw and transparent. He doesn't rely on what he wrote on paper - he tries out what he feels on the spot, he engages with his audience, he wears his heart on his sleeve. They're both honest about their craft, in their own ways. But they have a different way of expressing that.
Jerry: "Laughs are the only genuine currency in the end."Marc: "Really, just the laugh?"Jerry: "Yeah. Now if there's something in there deeper than the laugh - which there is in any great joke - then fine. […] But I don't worry about that part."Marc: "I always look for the meaning in the jokes. That's the reason why I got into comedy. Comedians, we're able to sort of make things manageable, make things understandable, disarm big ideas that are threatening. Things are terrifying, life is complicated, but these comedians are able to put it into little packages and makes it okay."Jerry: "Yeah. But I never put anything above the laugh. Self-revelation, opinion, insight - all these things - I would never give these things the same weight as the laugh."
This is crucial for me, because it got me thinking about what comedy means to me. What attracts me to it and what makes it speak to me. Growing up, it was probably really just for the laughs. But eventually, many experiences - both traumatic and triumphant - changed the lens through which I saw life. I found comedy to be comforting, because it wasn't afraid to hit all kinds of buttons at the same time, to get a reaction out of you. Marc said it best: comedy had a way of putting the darkest parts of life into little packages that made you laugh, sure, ans it also put things into an interesting perspective.
It can be a way to deflect. But the thing about really great jokes? It deflects, and then almost immediately, it boomerangs right back at you. Shoot, recoil. And then finally, a moment of realization. And all in just a few seconds.
I agree that comedy doesn't have to come from a broken place, nor does it have to bring you there. But I think I'm partial to Marc's point of view. Personally, I prefer comedy when it comes from a place of pain and healing; when it finds wisdom in the difficult aspects of life. Because that's the kind of comedy that got me out of some of my darkest days. (Looking at you, Fleabag and BoJack Horseman.) And it's the kind of comedy that has the potential to actually change things, to shake up the status quo. I have full respect for Jerry and Seinfeld - that whole school of "comedy about nothing" - because, yes it succeeds brilliantly at what it attempts to do, and it doesn't require you to wrestle with difficult questions to enjoy it. We need that kind of funny.
But especially in these times, comedy has to mean something. It has to make sense of it all, and attempt to move people into action. Otherwise, how can we elevate the discourse? Why waste that opportunity to do so, right? Comedy is relatable. So why not make it matter at every chance?
Jerry: "As long as there's a laugh. That's all I care about."Marc: "Yeah, but there's a kind of laugh that's like crying."
That's the kind of writing that feels more transcendental to me. When the writing results in laughter and tears and reflection.
But there's no right way of looking at comedy. It will speak to us at a volume our instincts are comfortable with. That's subjective and relative. This episode is an illustration of that. It's a surprisingly beautiful, poignant episode, and something that almost matches another great podcast from one of my favorites. (Hint: Conan. I'll be writing about that one too soon.) I really enjoy listening to comedians going deep. It makes their brand of hilarity more three-dimensional, more grounded
"An essential element in comedy: rage. Aggression, confrontation, resentment, irritation - there are varieties of it. You can't not have it. If you don't have it, you're not gonna get laughs. But I think the greatest use of it, of that rage, is to process it through a laugh machine."
There will always be things to laugh about. And we will always find the need for things to make us laugh, even and especially as we process grief, joy, fear, all kinds of emotions. I guess it's up to us - the audience - to decide whether we need the why behind what makes us laugh. Personally, I like coming face-to-face with the different spectrums of anger and sadness that compels me to find hilarity in the ridiculousness of life. It's challenging and rewarding. And it's oddly comforting.
There is something about comedy that sees you. At least, that's how it feels like to me. Sometimes, there are laughs that make us ask ourselves truly difficult questions. At the end of the day, if it gives us a clearer picture of who we are, and it allows us to keep going, then the joke has outlived its punch line and has done something truly meaningful. That's where the power of comedy lies. Not just in the immediate laugh, but in the lingering chuckle - and sentiment - that it leaves us with.
And that's why I'm Team Marc on this one. But I'm still giving points to Jerry for Comedians in Cars Getting Coffee, at least.
01 May 2020
Good things come in threes! Is life imitating art and living out The Rule of Threes? Look at that, I also got accepted at Santa Clara University for their LLM in Intellectual Property! And I was named a Silicon Valley Law Fellow too and awarded a $1,500 scholarship.
SCU Law is also named as one of the top law schools for intellectual property (along with UNH Franklin Pierce), especially because it is located at Silicon Valley, the heart of tech and innovation. Worthy of note is that like Loyola Law, SCU is also a Jesuit-run university. Interestingly enough, the last few weeks I have been doing mostly Ateneo-related work for our firm. Is this a sign? Hmm.
Since I've talked about synchronicities in my previous post, I think it's worth mentioning that my name was supposed to be Clara / Klara. My mom prayed to St. Claire before her pregnancy (yes, the saint women pray and dance to at Obando, Bulacan) and also loved the lead character from the Nutcracker ballet, Clara. Ultimately she went with Karla instead (partly because I would have been teased endlessly if I was a "Maria Clara"), but I've always felt an affinity towards her, especially because in recent years I've grown to appreciate her friendship with St. Francis. Maybe it's the universe poking fun at me again - "Thought I was over with all the coincidences? Just you wait!"
To be honest, I'm still feeling pretty overwhelmed about all this. I applied for LLM at the start of the year out of a desire to learn more about IP, yes, but also I just wanted to try something different, to do something out of the ordinary. Consider it a post-New Year dare to myself. I had zero expectations of getting admitted to any of these schools, let alone be granted scholarships. Based on my conversations with some friends in the profession, international schools usually prefer lawyers working in the Government. I went ahead and tried just to see if I had a chance; if I didn't get accepted then maybe it isn't for me yet (or maybe I really did have to resign and work for a Government office, haha). But to have gotten such a remarkable response - and three times, at that - is truly quite mind-boggling. Loyola, UNH, and now SCU. Wild.
Now, I still have not decided where I will end up going. (I'm still weighing many factors, including costs.) In fact, I'm seriously considering deferring my enrollment to the next school year, given the pandemic situation. I don't think things will get settled in time for me to fully arrange my visa, look for housing, and prepare for other considerations when things are still very much uncertain, both here and in the US. But it's a relief to know that there really is something to look forward to after all this. The scholarships will not be forfeited despite deferral so the metaphorical doors are not being closed on me.
It's hard to wrestle with the idea of celebrating at a time like this. Instead of leaving this August, I have to put my plans on hold until next year. But as always, I need to remind myself that detours are not without purpose. This whole pandemic has brought out some of my worst fears about the government. Amazingly, it has shown us the resilience, compassion, and kindness of a lot of our citizens too. And it's beyond inspiring. All these dreams of studying abroad are just that - wanting to experience an education in another country. Never for a second did I imagine myself leaving this place for good, even and especially now. We need voices of dissent to be amplified - to ring louder and braver each day. These voices - including my own - may get tired, but we have to continuously find ways to keep going, to continue being of service. To give back. To seek the light at the end of the tunnel.
It's there.
29 April 2020
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Taken sometime in April 2018, a few days after our results came out, when I claimed my bar clearance and set my schedule for Roll Signing.
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It's still quite surreal to realize that it's been two years since our bar results came out. Every time it gets mentioned, my muscles tense up and my brain blanks out. (Talk about post-traumatic stress.) Considering the amount of pressure we all had to endure in the years leading up to our own bar exams, the feeling of anxiousness remains. I guess one never fully recovers from the experience of being at the mercy of such a long, arduous exam. Every year, even after your own results, you will find yourself saying, "Wow, lives are going to be changed today."
On the day of our bar's release, my mom, grandparents, and I went to Mass at Baclaran Church, in an attempt to make a final, desperate plea to God, Mama Mary, all the angels and saints. But the Mass finished at 10:00, and the results are coming out at noon, so there was still a long and agonizing two-hour wait. My grandma, as if on cue, decided they needed to buy some groceries, so off to S&R Macapagal we went. For the next hour or so, we all pretended to care about wholesale deals and rotisserie chicken.
At around 11:30, somewhere along the aisle of bread and pastries, my mom received a call. It was from a family friend affiliated with the Supreme Court. She put it on speaker phone for the entire family (and quite frankly, that entire row of shelves) to hear:
"She passed! Her name is on the list."
And thus began what seemed like the longest, most bizarre, time-warping, continuum-shattering minute of my life, all while jumping, skipping, and hopping - in a dress. I could not believe it. I made it.
Minutes later, my phone got flooded with call, texts, and messages. The rest of the day went by like a blur. (The only other thing I could remember was the Razon's Halo-Halo they treated me to after shopping at S&R. It was the best reward/comfort food I could have asked for.)
Nothing has been the same since.
Life as a lawyer thus far has had its ups and downs. Some days are slow, some days are exciting; no two days are ever alike. I still doubt myself sometimes, and often feel like I'm still much closer to my wide-eyed, anxious bar reviewer self than some version of a confident, aggressive attorney. But I'm quite happy. Since then, I've appeared in court, reviewed contracts, prepared pleadings, attended search warrant enforcements, drafted university IP policies, and even got to teach. So many great things have happened since that day, and much of my families' prayers were answered on that fateful Thursday afternoon.
Two years ago, on April 26, our bar results came out. I took the bar and passed the bar at 26 years old. My birthday is also on the 26th (of October). On the list, I was bar passer 242 too. 24+2 = 26.
"She passed! Her name is on the list."
And thus began what seemed like the longest, most bizarre, time-warping, continuum-shattering minute of my life, all while jumping, skipping, and hopping - in a dress. I could not believe it. I made it.
Minutes later, my phone got flooded with call, texts, and messages. The rest of the day went by like a blur. (The only other thing I could remember was the Razon's Halo-Halo they treated me to after shopping at S&R. It was the best reward/comfort food I could have asked for.)
Nothing has been the same since.
Life as a lawyer thus far has had its ups and downs. Some days are slow, some days are exciting; no two days are ever alike. I still doubt myself sometimes, and often feel like I'm still much closer to my wide-eyed, anxious bar reviewer self than some version of a confident, aggressive attorney. But I'm quite happy. Since then, I've appeared in court, reviewed contracts, prepared pleadings, attended search warrant enforcements, drafted university IP policies, and even got to teach. So many great things have happened since that day, and much of my families' prayers were answered on that fateful Thursday afternoon.
Two years ago, on April 26, our bar results came out. I took the bar and passed the bar at 26 years old. My birthday is also on the 26th (of October). On the list, I was bar passer 242 too. 24+2 = 26.
And interestingly enough, World Intellectual Property Day is celebrated on April 26.
Synchronicities are peculiar. I've never been one to anchor my fate on numbers, and I'm not sure if there really is a grand design to all this - but I'm inclined to think perhaps life gives us these patterns to remind us to trust in the Universe and its mysterious ways, and to always just believe that maybe, just maybe, some things are really meant to be. We just have to wait and let them unfold.
Happy anniversary, self! ❤
*
Today, thousands await the results of the 2019 bar exams.
For any #Bar2019 hopeful who might come across this blog: Whatever the outcome, your lives will be changed for good today. I hope this day will constantly remind you to remain humble, to always be of service, and to keep fighting.
Remember that you survived law school, hurdled bar review, and successfully took on all four Sundays of the bar exam. Those were all seemingly insurmountable, but you managed. Today's results are not an affirmation of your capability to overcome hardship. You already did! Trust me, ALL the experiences & lessons you learned in the last four to five years are what will help define the kind of lawyer you will be, not just the bar.
So when you do get admitted to the practice, don't stop reminding yourself that you are worth more than just an exam. Cheering for all of you! Claim it. Life can only get better from here on out.
There's still so much more to learn, to do, and to achieve. Today is just the beginning. 🌻🌻🌻


22 April 2020
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| (Photo credit: Michelle Obama by Jillian Tamaki; Notorious RBG by Adam Johnson) |
One of the few silver linings for me during this quarantine is finally getting the time to read. My book list has been growing steadily over the last few weeks, which is probably already more than what I got to read for leisure during law school and bar review. Like I've said, I'm still trying to get my old reading groove back, i.e. easing back into actually enjoying sentences, taking my time, and not feeling like highlighting everything in preparation for a recitation or an exam.
So far, it's been going along smoothly. One big factor is that I've fully transitioned to reading e-books on my Surface Go. It's especially great during this time, because I can't physically go out and buy the books I want to read. So the Internet saves the day.
These two books on US Supreme Court Justice Ruth Bader Ginsburg and Former US First Lady Michelle Obama have long been in my to-read list. They were marked "priority" for me as soon as quarantine started, and immediately finished them both in about a week. (Yeah, this book review is delayed, obviously.) I suppose you could chalk it up to the fact that they've led such colorful and inspiring lives, especially in the legal profession, so I was truly interested in their stories. But more than that, the reason why I devoured these books so quickly was because subconsciously, I wanted to have someone to cling on to - a leader, a symbol of hope, an idol - someone to look up to. We are living in extremely difficult times - and not just because of the virus. All over the world, leaders with no regard for equity and compassion are becoming more and more emboldened. It's frightening and disheartening. But hearing the stories of these two women and their rallying cry to always remain steadfast in their commitment to justice is truly inspiring. It's exactly what we need right now.
1. "Notorious RBG: The Life and Times of Ruth Bader Ginsburg" by Irin Carmon and Shana Knizhnik
I was actually torn between this and Justice RBG's own book, My Own Words. But that comprises a collection of RBG's speeches and writings dating back to the eighth grade. It wasn't exactly her autobiography. So I chose this one instead, which was, significantly, written by one of the creators of the "Notorious RBG" Tumblr page that started her newfound popularity in the 2010s in the first place. (If Shana Knizhnik ever evaluates her life, she should give herself a thousand good points for having created this in the first place, because it made one of the most intelligent and significant figures in US legal history more accessible to the general public, especially the youth. )
RBG led an ideal, happy childhood, with parents who recognized her intelligence and always pushed her towards excellence. However, her life was marred at an early age by the untimely demise of a younger sister when she was an infant, and her mother (who lovingly encouraged her to pursue greater things and apply at Cornell) passing away just right before her high school graduation. This only propelled her to seek greater heights. Soon after graduating from Cornell, she went to Harvard Law School. She eventually transferred to Columbia, as she needed to be with her husband, Marty, who was invited to teach in New York (also a Harvard alum) but was also just recovering from cancer. It was unbelievable how she had to balance being a wife to a sick husband, a mother to a young baby, and a law student all at once - but she did it all with panache, allowing herself to be the first woman editor in both the Harvard Law Review and Columbia Law Review because of her transfer, and graduating first of her class in Columbia. I mean, WOW. (I couldn't even finish a recit for Credit class without wanting to throw up.)
Most striking for me was the amount of misogyny that she had to encounter in the legal profession, from law school up to the practice. Being a "pioneer" in the field meant the glass ceiling was still very much in place during her time, and she had to do everything ten, twenty, fifty times better than her peers just to hammer down the point that she deserved her spot. During her time at Harvard, she was only one in nine women in a class of about five hundred men. Professors assumed that the ladies were there merely to secure themselves a good husband. Wow. (In fact, the Dean of Harvard Law reportedly invited all of the female law students to dinner at his family home and asked them: "Why are you at Harvard Law School, taking the place of a man?" UGH, THE AUDACITY.) Even RBG herself was forced to say, "I'm here so that my husband and I will have something to talk about," during their Freshman welcome dinner, because she feared being labelled as arrogant or too confident.
Columbia turned out to be a much more liberal and accepting space. However, she was still met with varying degrees of sexism after graduation. She was declined clerkships based solely on her gender (and the fact that she was also a married family woman at the time). This only fueled her desire to fight for a cause: women's rights.
One very, very compelling part of her career for me was the manner by which she led the Women's Rights Project at the American Civil Liberties Union (ACLU). Her strategy? Because she knew judges would not "listen" to or understand the concerns of a woman plaintiff, she selected cases where it was a man who suffered gender discrimination under the law. For instance, in Weinberger v. Wiesenfield, a widower, Paul Wiesenfield, lost his wife during childbirth and was forced to raise his son on his own. When seeking for a survivor's benefits, he was deemed ineligible by the Social Security since such benefits under the law were made available only to widows, not widowers. This illustrated that gender discrimination in all instances did not only harm men, but also women. It was harmful for everyone in society, as it placed individuals at a disadvantage simply because of a factor beyond their control. Such a brilliant strategy. It's unfortunate that it had to take male plaintiffs to make justices listen and strike down gender-biased laws one at a time, but it worked. As the director of the Women's Rights Project, she argued six gender discrimination cases before the Supreme Court between 1973 and 1976, winning five.
She eventually went on to become the second female Supreme Court Justice in 1993. And until now, even at 87, she shows no signs of slowing down. Colon cancer, pancreatic cancer, broken ribs, lung nodules - none of these seem to stop her from showing up to work each day and bringing her much needed brilliance in court. She knows that despite the strides made in the last few decades, the job is never over (especially now that more conservatives are being appointed back in Court, thanks to Trump. Hello, dark ages.) The movement towards equality and fairness is not finished. The key is to always be reminded that tomorrow is another day to fight, to do good, and to be kind. “Anyway, hope springs eternal. If I lose today, there’s hope that tomorrow will be better.”
“The arc of the moral universe is long, but it bends towards justice,” she said. But then she added her own words: “if there is a steadfast commitment to see the task through to completion.”
2. "Becoming" by Michelle Obama
How good was this book? I finished it in a day. Less than twenty-four hours, even. I started before dinner and by 4:00 pm the next day, I was binge-watching Michelle Obama videos on YouTube.
I've always known that Michelle was a fantastic individual, but I never really knew how inspiring she was outside of being the First Lady. She carried herself well, she represented the White House with class, and she looked like a very doting, affectionate wife and mother. But I did not realize how cool she was outside her relationship with Barack.
That she grew up in the south side of Chicago meant that she experienced what living in a struggling community and being surrounded by people (and family) whose big dreams took a back seat because of institutional barriers. Poverty and race played a crucial factor in shaping Michelle's views. She was fortunate to have had parents who pushed her (and her equally intelligent and talented older brother, Craig) to excel in school so that they can reach greater heights. This led her to Princeton, and eventually, Harvard Law.
Michelle writes with refreshing honesty and sincerity. She paints a colorful, compelling picture of her youth, but does not sugarcoat the realities of needing to overcome many obstacles before actually getting a decent education. The same goes for her candid depiction of her relationship and marriage with Barack, who has always been a visionary and an idealist - almost always to a fault. It really takes a strong, courageous woman to be able to admit the challenges that come with being married to a senator and eventually, the President. But through it all, not once did she ever succumb to being merely just "Barack's wife." She didn't quite outgrow her "southside mentality" of knowing what she's worth and always striving hard to do some good on her own.
Particularly, her relationship with Barack never made her put her own ambitions aside. If anything, it only fueled her to find her own causes. When they met, she was an associate at a big law firm, who lacked the passion for her job but felt she was good at it anyway and decided to just stick with it. After all, she had always been a "abide by the rules and follow the plan" kind of girl. But the detours in her life made her realize that sometimes it's okay to let certain goals go, if only to allow ourselves to find a greater purpose. After her resignation, she found herself in different positions that enabled her to actually help others and make a difference, especially for people like her.
She worked in the Chicago city government as an assistant to the mayor and later on became the city assistant commissioner of Planning and Development. Then she became the executive director for the non-profit organization, Public Allies, which encouraged young people to see value in doing non-profit and public sector work. She later on served as the Associate Dean of Student Services at the University of Chicago, where she developed the University's Community Service Center, before becoming the Vice President for Community and External Affairs of the University of Chicago Hospitals. All this, Michelle accomplished by having one purpose in mind: to bring services to those who need it the most.
She also openly admitted suffering a miscarriage, and having difficulty with conceiving during the early part of her marriage. These are stories that need to be heard by women, especially those who are crippled by society's expectations. This part of the book was very moving for me personally, and I loved that she was candid about her own fears.
This is what really inspired me the most about her: an unapologetic belief in her own value. And this is precisely what she wants to impart to her readers, particularly to young, ambitious women. Yes, there exists systemic barriers that are working against us; but when we are able to overcome them, we should work our hardest to help others overcome them too. She used her influence as a first lady to educate; to produce meaningful work for sectors that are largely ignored and underserved by the structures of government. She led by example. And she delivered.
“Do we settle for the world as it is, or do we work for the world as it should be? For every door that’s been opened to me, I’ve tried to open my door to others. And here is what I have to say, finally: Let’s invite one another in."
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| (Photo credit: RBG by Anthony Savage; Michelle by Monica Ahanonu) |
I'd be lying if I didn't say that I looked forward to reading about their relationships with their husbands, Martin and Barack. The truth was, their marriages weren't at all the highlight of their lives, but the strong partnerships certainly helped lead them to greater, higher pursuits.
Marty always acknowledged Ruth's brilliance. One of the things Ruth initially liked about him was that he saw her as an equal. When they first met, they had other partners, so they just started out as friends - which was crucial for Ruth, because she found out that Marty had always respected her brains, and not just trying to get in her pants. Throughout their marriage (and RBG's flourishing career), he never felt threatened by her and saw value in her capabilities. He enjoyed being the doting husband and family man; likewise, RBG willingly steps aside when Marty's career takes interesting turns. "He always made me feel like I was better than I thought I was. He was so confident in his own ability that he never regarded me as any kind of threat," RBG said of her late husband. And, most importantly, he cooked for her and always made her laugh. Ah, the dream.
Same goes for Barack, who slowly but surely swept Michelle off her feet, even though she was initially dismissive and reluctant (since he was a law student intern at the firm where she was an associate). He knew it had to take much more than just plain old charm to impress her. He acknowledged that she was an intelligent, hyper-critical woman with a background different from his own. He was open and curious and affectionate. He listened. And he never dismissed her aspirations; he kept encouraging her and never expected her to just remain in his shadow.
(Side-note that the part in the book about how she and Barack started dating was such a kilig-fest!!!! YA novels have nothing on that entire chapter!!! It was so incredibly adorable! The movie "Southside With You," a fictionalized adaptation of their first date was one of my favorite flicks in 2018 because of how compelling their chemistry was. But MAN, the nonfiction version of their first few dates?! Even more kilig!
Here's an excerpt I bookmarked about the night they snuck out of a performance of Les Misérables, and tried to avoid the suspicious looks of the other partners working in their firm. Tell me this scene isn't a short film script waiting to happen!)
*
Okay, so this book review turned out to be quite a lot. But the exponential increase of my admiration for these two women cannot simply be explained in a few paragraphs. True, these women are not like the rest of us: they're Ivy League-educated, in great positions of power and influence, and live their life under the gaze of public scrutiny. But in many other ways, they understand us intrinsically. They know what it's like to be discriminated against, to be treated unfairly, to be vulnerable, to feel deprived, to have to work twice as hard, to be defeated.
And both of them came out of it with an important lesson: we have to keep pushing. Have a radical aim, but proceed with caution. Fight for the things that you care about, but do it in a way that will lead others to join you.
Life was teaching us that progress and change happen slowly. Not in two years, four years, or even a lifetime. We were planting seeds of change, the fruit of which we might never see. We had to be patient.
We still have a lot of work to do. It will take time, but we'll get there. We have to believe we will.
20 April 2020
The uncertainty of this pandemic is crippling, but the realization of so many things - about ourselves, our work, our friendships, our identities, our government - is just as paralyzing.
Expect me, then, to dive even deeper into what is already very familiar, if only because my brain is wired to seek comfort when all external factors are different, and frightening, and unstable. (Okay, yes, this concerns my current listening habits.)
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| (Photo credit: Carly Rae Jepsen's Instagram) |
To no one's surprise, I slid down the Carly Rae rabbit hole again today. Unlike most people I know, Carly isn't my go-to background pop music (that recognition goes to Ariana). Rather, I find myself diving into her music sporadically, albeit intensely and deeply each time. Sometimes I can go weeks without playing her music on Spotify, but when I do, expect that entire day and the next twenty-four to forty-eight hours to be non-stop CRJ.
In many ways, like a devotee paying homage to its goddess. I busy myself with other things, but when my soul needs replenishing, I come crawling back.
It occurred to me today that I never got to write about the Manila concert last October 23. And I know exactly why: it was so good. So, so good. There was this overwhelming fear of not being able to encapsulate the entire experience; that somehow writing about it dilutes every bit of magic I felt while dancing along with a thousand other entranced bodies.
But this particular Monday, as I dealt with spotty Internet and limited downloaded music on my phone, I couldn't help but relive that entire night. As I pressed "play" on the Carly Rae Manila Setlist, I remembered what it meant to be on the precipice of what it means to truly, fearlessly, and willingly let go. To be in the moment and revel in it
Three nights away from turning twenty-eight, I went into that concert filled with excitement, but also, a lot of uncertainty. I was turning yet another year old, but, in the accounting of moral equations I made in my head, what have I to show for it? No new pursuits, no new hobbies; dreams still significantly a thousand miles away. Nothing that would make a tiny chorus of damned souls from The Bad Place scream, "Darn it!"
All I had at twenty-seven - much like at seventeen - were lots and lots and lots of feelings.
Feelings of inadequacy, of uncertainty, of misguided passions; of righteous anger at the world for its unkindness, of indignant anger at myself for my apathy; of the many shades of sadness that I carry with me as I trudge on through. But also, insane amounts of excitement over the littlest things, like finding old songs to sing along to while driving, or a fresh cup of coffee to start off the week, or a few bottles of beer to cap off a busy day. Feelings of gratefulness, and contentment, over the ease of certain detours and the net effect of all that life has to bring falling on the good side.
I was never one to shy away from expressing my feelings, whether grief or joy, but I always make the conscious effort to hold them in. To process them first. But something about Carly Rae's music defies restraint. Rolling Stone rightfully called her the Queen of Hearts, and it perfectly identifies what it is about her songs that speak to millions of flawed, complex, lost souls:
"I try to create that with the music that I make - a feeling of a moment being so intense that you’re present in it and you’re nowhere else."
It is in encapsulating the simplest of feelings into electrically charged pop hooks that her magic lies. Everyone finds a space in her music; "There I am, and there it is, that's exactly how I feel," we hear ourselves say. She sings the words, and it finds us, knows us, so much so that it would be impossible to not acknowledge how much it sees us.
In "Run Away With Me," for instance, she revels in the privacy of her feelings: “Baby, take me to the feeling / I’ll be your sinner in secret / When the lights go out.” She’s letting you in on a secret, a feeling so big she can’t contain it. In "Julien," she directly acknowledges the reason behind her gloom: "Woke up this mornin', it feels like everyday / I got the blues, babe, not going away / Another bad dream when you were running away / I'm forever haunted by our time." In identifying the reasons behind her feelings, instead of being overwhelmed, she holds power over them.
Her set list was a rollercoaster ride of highs, and even higher highs. She steals a bike and rides all night in "Fever." She heeds her friend's advice in "Boy Problems." She tosses and turns and can't fall asleep in "Gimmie Love." She goes out and never comes back in "Store." She touches herself in "Party for One." She wants to do bad things (to you) in "Want You In My Room." She knows that there is nothing like the feeling of being in love in "Now That I Found You." She cuts through the clouds and breaks through the ceiling in "Cut to the Feeling." She attempts to comfort oneself while openly longing for both the chaos and certainty of love in "Real Love."
She feels it all and she lets us feel it all too.
The axis around which her songs revolve is the vulnerability that comes with longing. So much about life requires things to be in black-and-white: yes or no? Here or there? Stay or go? But Carly exists in the space in between. She acknowledges the small moments before that "yes," the hesitation before that jump, the wanting before the satisfaction. And she legitimizes this space: to feel these things is just as legitimate as our biggest fears and desires.
In one of her songs, she asks:
"Is this too, is this too, is this too much?"
And like devotees witnessing an apparition, we waved our hands in the air in reckless abandon to affirm what our hearts have always known: no, in the midst of music and love and euphoria, nothing is ever too much.
*
P.S. The truth was, another highlight of the concert was knowing that you are surrounded with like-minded fans, also knowing every word, also feeling every beat. I saw literally almost a hundred friends that day - and the number of selfies I took is proof of that - from the lines, to the lobby, to the seats. It was, as my blockmates accurately put it, the grand UP Law alumni homecoming. It was such a delight seeing all of them, in all their unabashed fangirl/fanboy glory! Friends working in firms, in the government, in private corporations, studying for the bar, waiting for bar results - name it. Not even our own school could bring us all together for one event; but trust in the power of Carly Rae to convene all the millennial Iskos and Ateneans in one venue.
12 April 2020
It has been a rough last few days.
I kind of always knew that the people I share this home with do not like each other. Unlike many other families (or perhaps a lot like others?), there was this quiet understanding that they were only staying together because of me. This is a fact I found out for myself slowly, but surely, in the last fifteen years or so. I think we were all fine with that understanding pervading our everyday lives. We provide for each other regardless, and have love for each other that fills us enough - I believe - to go on about our days without much suffering. I have no illusions that my parents' love is grand and great and marvelous. That they treat each other decently most of the time, and continuously give me all the comfort they possibly could, is something I am always very grateful for. I see no reason for me to complain.
But being stuck together because of the quarantine, misery was bound to rear its ugly head at some point.
I am tired. The way things are (and have always been) is exhausting. But this is the reality that some of us have to face, the cross that we have to carry: this is just how it is. Families are difficult. Dealing with people you do not inherently like is exhausting. But we cannot complain. More people have less in life, more people are in so much more pain, more people are hungrier for a real kind of love.
Today, I tuned in to an online celebration of the Mass for Easter. The bishop said, "The heart is the tomb. Our heart is the empty dwelling where we keep our fears, our anger, our anxiety." I think this much is true, especially in the last couple of weeks. And the truth was, I no longer know how to pray this kind of pain away. It's so difficult to lift this all above, when the very people who taught me how, are the ones who are treating each other horribly. It is very easy to lose sight of what it means to know the divine, when what often gets thrown around is irreverence.
I am tired, and I am angry, and I feel alone. But I have to remind myself - again, and again, and again - that Jesus died because he understood what it means to be in pain. The heart is the tomb. Jesus died, entered that tomb, and forever left it empty. His resurrection left us satiated. May this Easter carry us out of our own loneliness, our own tombs, and leave us all free from fear, darkness, and sadness.
I kind of always knew that the people I share this home with do not like each other. Unlike many other families (or perhaps a lot like others?), there was this quiet understanding that they were only staying together because of me. This is a fact I found out for myself slowly, but surely, in the last fifteen years or so. I think we were all fine with that understanding pervading our everyday lives. We provide for each other regardless, and have love for each other that fills us enough - I believe - to go on about our days without much suffering. I have no illusions that my parents' love is grand and great and marvelous. That they treat each other decently most of the time, and continuously give me all the comfort they possibly could, is something I am always very grateful for. I see no reason for me to complain.
But being stuck together because of the quarantine, misery was bound to rear its ugly head at some point.
I am tired. The way things are (and have always been) is exhausting. But this is the reality that some of us have to face, the cross that we have to carry: this is just how it is. Families are difficult. Dealing with people you do not inherently like is exhausting. But we cannot complain. More people have less in life, more people are in so much more pain, more people are hungrier for a real kind of love.
Today, I tuned in to an online celebration of the Mass for Easter. The bishop said, "The heart is the tomb. Our heart is the empty dwelling where we keep our fears, our anger, our anxiety." I think this much is true, especially in the last couple of weeks. And the truth was, I no longer know how to pray this kind of pain away. It's so difficult to lift this all above, when the very people who taught me how, are the ones who are treating each other horribly. It is very easy to lose sight of what it means to know the divine, when what often gets thrown around is irreverence.
I am tired, and I am angry, and I feel alone. But I have to remind myself - again, and again, and again - that Jesus died because he understood what it means to be in pain. The heart is the tomb. Jesus died, entered that tomb, and forever left it empty. His resurrection left us satiated. May this Easter carry us out of our own loneliness, our own tombs, and leave us all free from fear, darkness, and sadness.
01 April 2020
It's supposed to be April Fool's but to most of us, it's still just Day 16. Another day to try to work from home, respond to e-mails, rant against the government, get riled up because of the lack of action, foresight, urgency, and transparency, and feel helpless about it all. You know, the new normal.
But I suppose the Universe simply cannot let this day pass without a little side-serving of another plot twist.
I have just been admitted to the University of New Hampshire Franklin Pierce School of Law, with a Presidential Scholarship! This is beyond unbelievable! UNH Franklin Pierce has a very competitive IP law program. It is currently ranked as Top 5 for IP and Technology Law by the US News and World Report. It is also consistently ranked as one of the best universities for IP all over the world. The fact that I was accepted at all - and granted a scholarship - is still something I cannot wrap my head around. Similar to LMU Loyola Law School, the financial aid was granted based on their evaluation of my personal essay and application. I feel so thrilled and overwhelmed!
I applied to this university because one of the partners in our office was a graduate of Franklin Pierce as well. When I looked into the credentials of the school, I was truly impressed and in awe. Add to the fact the tiny feeling of glee that the campus looked majestic and was what my teenage WASP-y New England dreams were made of.
Then, of course, it only took a few minutes of elation for reality to sink in. The coronavirus is still here. Worse, our government's incompetence and inaction revealed itself in the most damning of ways (well that's always been the case, but now was the worst possible time), and at the expense of many people's lives. The President continues to see violence as the solution to a virus. Government officials still perpetuate bureaucracy, red tape, and politics. Meanwhile, people are sick, people are hungry, people are dying. And the rest of us who want to help are limited by the quarantine. The frustration, the rage, the inability to actually do something - it's paralyzing.
Even after receiving my acceptance from LMU and up until today with this one from UNH, I still can't feel completely elated. This whole pandemic is unprecedented, at least in our time. It's impossible to isolate yourself from what is happening beyond the comforts of your home, in fact, it has made every conflict outside seem personal. It's so difficult to celebrate personal victories at a time like this. It's like in the bigger scheme of things, your wins don't matter. All these acceptance letters are of course great news, but all the uncertainty about the state of affairs in the country (and in other parts of the world) is making me feel like... this isn't deserved? Especially during a crisis. How do we convince ourselves to embrace these joys when other people are suffering?
It's so hard to see things from a big picture kind of perspective when the present is in such chaos. We feel helpless, powerless; all our work is rendered meaningless.
Incidentally, the other day, I came across an honest, moving essay by Sarah Miller on Longreads about dealing with our feelings in a world saddled with pandemic, climate change, divisiveness and other modern horrors. The reality we live in now seems too bleak, that it seems like our own personal feelings and aspirations have to be pushed aside:
You may have been told all your life that there were certain things you needed and certain things you needed to do, but it turns out that you don’t need most of those things and you don’t really need to do anything. In fact, nothing would be better for the world right now than if we all stopped trying to achieve things and said, “We no longer believe work will set us free, it is the opposite, in fact,” and behaved accordingly. There is nothing to achieve right now except to insist that the only achievement is caring for others, and not caring specially for family or friends, but in caring for every person as our family or friend.
To feel empathy for others is what's most crucial right now. It is primarily the lack of compassion that has brought our country to where it is right now, a sinking ship led by a drunk captain who drove right into an iceberg. It is the inability to see every single person as human, and therefore deserving of basic human rights and needs, that makes the rhetoric of violence resonate to so many. And it's infuriating.
But then, I also see the collective efforts of many others - health workers, front liners, universities, private corporations, regular citizens - who are all stepping up and making up for the government's indifference. Ordinary people are doing all that they can to help and loudly voicing out their dissent. And it's slowly working. It's nothing short of empowering. Despite the despair we all feel given the undeserved idolatry of some people towards the President, there's also consolation in the fact that there are more people becoming more dissatisfied and angry. Our righteous anger has now become loud enough to cause some changes. When rage fuels action, and action results in goodness, it becomes a little easier to still feel hopeful.
Susan Krawitz, attempts to find that flicker of hope amidst a pandemic, and stumbles upon it in nature. In what she believed was marshy soil on familiar land appeared something surprising: a sugar maple. Nature was thriving in mysterious ways.
There are no answers right now to anything, only questions on questions. But the forsythia is beginning to bloom, and house wrens are singing. It’s time for woodcocks to start mating in the marshy meadows, and comfortingly, they are. And I just found two [sugar maple] trees that live in my woodlot in defiance of all experts and odds.
Maybe these wins are my sugar maples. To borrow from Krawitz, I have lived on this land for 28 years and thought I knew every cranny of it. I have survived on this country 28 years and when someone tells me "This is all you are, this is all you will be," I believed them. But I have lived on this earth for 28 years, and in that time, life has always made clear to me that nothing is ever permanent. Things can get really bad, but they can get really good too. We just have to hold on to that tiny bit of humanity left in us and try to do as much as we can, in order to keep on going.
I listen to the news, but I also listen to nature, and what it’s telling me right now is this: we can’t see everything there is to see. We don’t always know all we think we know. And the very last thing we should ever give up is the possibility of miracles.
There is a light at the end of this tunnel. I just have to keep telling myself that. Today, I can be grateful for what lies ahead. But until then, I have to do my part in keeping whatever sanity left in me intact, and do as much good as I can, so everyone else - not just myself - can claim more victories n the future.
What choice do we have other than hope for the best? Hope that our personal triumphs anchor us and keep us afloat. These things, they are an affirmation of what we are capable of. They matter. They do, and they should, if only because they let us carry on, with hopefully the belief that we can bring more good into the world. Not just one day, but soon.
22 March 2020
It's Day 6 of the quarantine. I wish I can tell you I have been very productive. Other than checking my e-mails every once in a while and commencing with pleadings that are not due for another month or so, things have been pretty slow and steady. Courts and government offices are closed; all the other companies I correspond with both here and abroad are also on a lockdown. Nothing like a pandemic to make you reflect that your profession can be rendered futile, almost like an afterthought.
Because what use is it being an intellectual property lawyer at a time like this?
And then, as if on cue, in the midst of my unearned ennui, I receive this:
I got admitted to Loyola Marymount with a merit cholarship! This is for their IP and entertainment law LLM program! To say that I am overwhelmed is a complete understatement. What in the world! When I opened my e-mail last Thursday, I could not believe my eyes. (But I resisted the urge to touch them, because masunurin ako. Haha.) I did not apply for a scholarship, but according to a separate e-mail I received, they reviewed my application and were "impressed with my background." Aaaaaahhhhh! (Side note: since this is a Jesuit university, magiging quasi-Atenista na ba ako?! Haha! AMDG!)
The truth was, this was the unofficial goal post after the bar. As soon as I started practicing IP, I realized there was so much more to learn, so much to discover. The good thing about diving right into a specialized field was that I immediately got to, well, specialize. And in a field that I actually like. It's no secret that I had a difficult time in law school precisely because I thought my heart wasn't in it. I didn't like it enough. I didn't find something in it I was passionate about, except our IP class. Which sounds unnecessarily sentimental now, given the context. It's true, though. In practice, it surprised me that it was truly interesting for me. That I loved it. Yes, it was something related to my literature background, but it was a field where I felt I could contribute greatly because I was good at it. I wanted to learn more, so I could do more.
But then, we're hit with a virus, and our work is paralyzed just the same.
When people ask me why I went into this practice, I always cite my background as a literature undergrad. I guess I needed something to anchor me back to my days as a creative writing major to make me feel like my work as a lawyer is meaningful. In the looking-at-the-big-picture kind of way, I truly want to encourage people to create more art. To allow artists to protect it. So much of our culture thrives because we put our sentiments on paper, on canvas, through song. The least I could do - if I cannot make any more art - is to help encourage its creation. I guess that's why when asked by my bosses about my long-term plans, I always say I want to teach or I want to study some more. Trite as it may sound, I think that deep down, I truly believe there is a lot of good that can still be done in the world; I have to learn more so I can do my part.
It's true that in the midst of a pandemic, I feel like a lawyer like me does not have much to offer. What use is a trademark inter partes proceeding at a time like this?
And yet, I'm reminded of this quote from Mindy Kaling's speech for the Harvard Law School Class of 2014:
These are trying times. As I write, the president is asking Congress to grant him emergency powers. (The audacity!) There is so much more that needs to be done to help repair our fractured society. The least we can do as lawyers is be vocal about our concerns, help explain to the public what our laws and jurisprudence provide, and ensure that rights are protected, even, and especially, in this time of crisis. I'm not just an IP lawyer. I'm a lawyer. I have to do my part. I have to remind myself that our job is not just to uphold the Constitution: it's to go out there and become the embodiment of it.
In the grander scheme of things, to give honor to our profession, we have to give our best and become good at what we do so we can contribute more, so we can help more. Hopefully soon, when everything goes back to status quo, that means pursuing this LLM and learning more about my field, in order to hopefully help foster a culture that values the creation and protection of intellectual property. Big picture kind of dream, you know? But that can wait. Today it means being vocal about the loopholes in the proposed Bayanihan Act, rightfully demanding for what is just amidst a public health emergency, and lending a voice to the helpless.
I have no idea what the future holds; if this is just a pipe dream, if this is just a taste of something that really isn't for me. It certainly feels selfish to be thinking about myself at a time like this. But it also feels wrong to not be thankful. If anything, now more than ever, this rings true: life is short. We have to embrace each moment, celebrate each milestone, and live each day as it comes.
Today, I am thankful and glad, for this opportunity, and for all the affirmation it brings.
Tomorrow, we carry on, and fight, and believe, and hope.
Because what use is it being an intellectual property lawyer at a time like this?
And then, as if on cue, in the midst of my unearned ennui, I receive this:
I got admitted to Loyola Marymount with a merit cholarship! This is for their IP and entertainment law LLM program! To say that I am overwhelmed is a complete understatement. What in the world! When I opened my e-mail last Thursday, I could not believe my eyes. (But I resisted the urge to touch them, because masunurin ako. Haha.) I did not apply for a scholarship, but according to a separate e-mail I received, they reviewed my application and were "impressed with my background." Aaaaaahhhhh! (Side note: since this is a Jesuit university, magiging quasi-Atenista na ba ako?! Haha! AMDG!)
The truth was, this was the unofficial goal post after the bar. As soon as I started practicing IP, I realized there was so much more to learn, so much to discover. The good thing about diving right into a specialized field was that I immediately got to, well, specialize. And in a field that I actually like. It's no secret that I had a difficult time in law school precisely because I thought my heart wasn't in it. I didn't like it enough. I didn't find something in it I was passionate about, except our IP class. Which sounds unnecessarily sentimental now, given the context. It's true, though. In practice, it surprised me that it was truly interesting for me. That I loved it. Yes, it was something related to my literature background, but it was a field where I felt I could contribute greatly because I was good at it. I wanted to learn more, so I could do more.
But then, we're hit with a virus, and our work is paralyzed just the same.
It's true that in the midst of a pandemic, I feel like a lawyer like me does not have much to offer. What use is a trademark inter partes proceeding at a time like this?
And yet, I'm reminded of this quote from Mindy Kaling's speech for the Harvard Law School Class of 2014:
"The thing I find the most fascinating, is that [lawyers] are responsible for the language of justice, for the careful and precise wording in all those boring contracts [...]
These are protections that we take for granted. Your dedication to meticulous reading is a tedium that I find so admirable. You take words and you turn them into the infrastructure that keeps our world stable."
These are trying times. As I write, the president is asking Congress to grant him emergency powers. (The audacity!) There is so much more that needs to be done to help repair our fractured society. The least we can do as lawyers is be vocal about our concerns, help explain to the public what our laws and jurisprudence provide, and ensure that rights are protected, even, and especially, in this time of crisis. I'm not just an IP lawyer. I'm a lawyer. I have to do my part. I have to remind myself that our job is not just to uphold the Constitution: it's to go out there and become the embodiment of it.
In the grander scheme of things, to give honor to our profession, we have to give our best and become good at what we do so we can contribute more, so we can help more. Hopefully soon, when everything goes back to status quo, that means pursuing this LLM and learning more about my field, in order to hopefully help foster a culture that values the creation and protection of intellectual property. Big picture kind of dream, you know? But that can wait. Today it means being vocal about the loopholes in the proposed Bayanihan Act, rightfully demanding for what is just amidst a public health emergency, and lending a voice to the helpless.
I have no idea what the future holds; if this is just a pipe dream, if this is just a taste of something that really isn't for me. It certainly feels selfish to be thinking about myself at a time like this. But it also feels wrong to not be thankful. If anything, now more than ever, this rings true: life is short. We have to embrace each moment, celebrate each milestone, and live each day as it comes.
Today, I am thankful and glad, for this opportunity, and for all the affirmation it brings.
Tomorrow, we carry on, and fight, and believe, and hope.
12 February 2020
I'm still trying to get my old reading groove back, which was, for better or for worse, altered permanently by law school. I'm only recently easing my way back into my old habits of enjoying sentences, taking my time, and not feeling like highlighting everything in preparation for a recitation or an exam. Reading a new book with the purpose of writing a review about it - instead of being quizzed on it - hopefully readjusts my lenses.
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When I was a teenager, one of the biggest perks of finally sleeping in my own room was getting to stay up late. Back then, getting lost in the peculiar algorithms of YouTube was not a thing yet. Instead, what excited me the most was getting to catch all these "adult" shows on cable which, at the time, were beginning to be understandable to me. Adult Swim, Sex and the City, and yes, the three late night shows: Late Show with David Letterman, The Tonight Show with Jay Leno, and Late Night with Conan O'Brien.
Late night shows were a particularly endearing breed for me. It had celebrity interviews, sure, but the real draw was the personality behind the table. I've always taken these shows at face value and liked them for the different flavors each one gave. Dave, for his sardonic, cynical humor especially in his Top Ten. Jay, for his rapid-fire monologue and Headlines. And Conan. Oh Conan. I learned the words "shenanigans," "moral outrage," and "noches de pasion" because of Late Night. I had the softest spot for him even when he was the one that most confounded me. He was too quick, too sharp for fifteen-year-old me, but it was always a delight trying to catch up with him and be in on the ride.
When the whole Tonight Show controversy erupted in 2010, I followed it obsessively online. At the time, none of my other friends watched these shows, so it felt like this devastating blow that I couldn't share with anyone. I liked Jay, sure, but the whole shake up was not a good look on him at all. It only solidified what I've always felt through the years: Team Conan all the way. He wasn't given enough leeway with his version of the Tonight Show. And it was so unfair.
After that, the late night scene was no longer the same. Since then, new players have come into the fray. Fallon, Meyers, Corden, Colbert, Kimmel, Noah - these guys are now holding the fort. But the format has changed in so many ways - and necessarily so, given the changes in technology and the way audiences consume media. They now have more sketches and gimmicks, and rely on the virality of each individual segment rather than the cohesiveness of one whole show. Which isn't entirely bad, per se. I do like their content too. It's just different.
Which, I guess, is why I felt the need to read this book when I got an epub copy. I wanted to know what really went behind the scenes, what changed the network's mind, and at what point NBC realized that the late night landscape was going to be significantly shaken again. (Incidentally, I was also really curious to know how the contracts were drafted in the negotiations.)
It's quite ironic that all this went down precisely because they were trying to avoid the exact same thing that happened between David Letterman and Jay Leno back in the 1990s, following Johnny Carson's retirement from The Tonight Show. In the early 2000s, NBC wanted to have a "Prince of Wales" succession clause to secure the person who will "inherit" the throne of The Tonight Show and avoid any drama. The idea was brilliant and the identity of who the successor will be was clear: Conan. What did them all in was the timing.
I'll save you the trouble of reading the book and just refer you to the Wikipedia page linked above if you want to know the timeline of how it all went. But more than just the narration of events, what stood out more in the The War for Late Night was the very personal, and authentic depiction of the actual people involved in the fray. The network executives, the agents, the producers, even the competition at the time. (There's a great chapter on Letterman, but also a recognition of the other key players like Kimmel, Fallon, Colbert, and Stewart.) Most importantly, Conan and Jay.
I've always been Team Conan. He's loved by all, from young intellectuals to fellow comedians and artists. I love the guy, I admire the guy, I binge-consume any content of his that I can get my hands on (Podcast? check; Late Night classics? check; interviews on YouTube? check; Conan without Borders? check.) And the book is actually very sympathetic towards him, showing that in many ways, he really was the victim here. Many other factors were at play: the timing, the ratings, the lead-in, the bind that NBC head Gaspin was in considering the network's descent from the ranks. But it still all boils down to the fact that NBC didn't want him enough. They didn't want him to go elsewhere, but they were willing to break a promise made to him just to make more money. He didn't deserve to have The Tonight Show taken away from him like that.
But, the book also did a good job of showing Jay's side. He's a no nonsense kind of comedian. He wasn't innovative, he wasn't a genius. He didn't go to Harvard like Conan. But - and this is crucial - people loved him. He didn't appeal to the intellectuals, sure, but he is certainly well-liked by even the simplest of folks in Nebraska. He had mass appeal. And to top that off, he worked hard. Really hard. He didn't play into the celebrity schtick, he didn't mind not winning awards. He ran The Tonight Show like a ship, and it always landed at the same place: the top. He consistently beat Letterman in the ratings, something Conan couldn't do. You can't fault the network for wanting to give the keys back to him, especially after the variety show they offered him did not work.
Conan got a shitty lead-in during his stint at The Tonight Show because the network botched it with The Jay Leno show at 10:00 pm. But the fault here is to be placed squarely on the lawyers. Jay had the leverage between the two of them because his lawyers were able to secure for him a "pay-and-play" contract, as opposed to the usual "pay-or-play" (which was what Conan had). This contract guaranteed NBC would both air his program and pay him for up to two years, whether the program continued or not. This is completely different from Conan's The Tonight Show contract, which provided that NBC can either play his program for two years or pull the plug on the show and just pay him off, by network prerogative. Comparing both, NBC stood to lose more if they broke the contract with Jay than with Conan. The pay-and-play was unusual in the TV setting at the time, and there was no way Conan's lawyers could have anticipated that that was possible, because it wasn't an industry standard. But Jay's lawyers did. So his ass was saved by the network instead.
The book was published in 2010. Reading it now, in 2020, it's easy to say that Conan still eventually got the better end of the deal in the long run. Sure he never got to fully enjoy his tenure as the host of The Tonight Show. But he was able to diversify his content: he got to set up his own production company, has a podcast, shoots for a Netflix docuseries, has mockumentary shorts involving his staff, and still has a late night talk show, albeit on a cable channel now. He has the freedom to do whatever he wants, and that has only resulted in more hilarious, genre-bending, and entertaining content since then. In particular, his podcast and travel series show a different side of him, one that allows him to flesh out his conversations with his interviewee because he has more time to breathe and just be. The interviews he does now no longer focus on just, say, promoting a movie, or rehashing an oft-repeated anecdote. He has the opportunity to really get to know them, find out their stories, and all while sharing a little part of himself. Even in other forms of media, he's still somehow changing the game.
But at the same time, I can't help but wonder - what could have been? If he had remained at The Tonight Show, I think he would have eventually veered towards the same content (aimed at virality), while still maintaining his identity. Breaking the norms, making people uncomfortable, finding the silver lining even at the perverse. He may not be doing a Lipsync Battle or Carpool Karaoke - but I think audiences would have loved an updated Triumph the Insult Comic Dog just the same. He could have been breaking even more barriers, given the timeslot's reach.
Alas, it wasn't meant to be. And as with most things, we have no other choice but to look at it as a glass-half-full kind of situation. The late night format as we knew it had to end somehow. It was just unfortunate that it had to claim one of the greats as its victim.
One of my favorite post-Tonight Show Conan content though, is his speech for the 2010 graduating class of Dartmouth. It has all the ingredients of everything Conan: hilarious, ridiculous, well-researched, self-deprecating, and full of wit. But what stood out about this speech - and what makes me re-watch it from time to time - is his honesty. And the ability to turn his heartbreak into a catalyst for something more meaningful.
Late night shows were a particularly endearing breed for me. It had celebrity interviews, sure, but the real draw was the personality behind the table. I've always taken these shows at face value and liked them for the different flavors each one gave. Dave, for his sardonic, cynical humor especially in his Top Ten. Jay, for his rapid-fire monologue and Headlines. And Conan. Oh Conan. I learned the words "shenanigans," "moral outrage," and "noches de pasion" because of Late Night. I had the softest spot for him even when he was the one that most confounded me. He was too quick, too sharp for fifteen-year-old me, but it was always a delight trying to catch up with him and be in on the ride.
When the whole Tonight Show controversy erupted in 2010, I followed it obsessively online. At the time, none of my other friends watched these shows, so it felt like this devastating blow that I couldn't share with anyone. I liked Jay, sure, but the whole shake up was not a good look on him at all. It only solidified what I've always felt through the years: Team Conan all the way. He wasn't given enough leeway with his version of the Tonight Show. And it was so unfair.
After that, the late night scene was no longer the same. Since then, new players have come into the fray. Fallon, Meyers, Corden, Colbert, Kimmel, Noah - these guys are now holding the fort. But the format has changed in so many ways - and necessarily so, given the changes in technology and the way audiences consume media. They now have more sketches and gimmicks, and rely on the virality of each individual segment rather than the cohesiveness of one whole show. Which isn't entirely bad, per se. I do like their content too. It's just different.
Which, I guess, is why I felt the need to read this book when I got an epub copy. I wanted to know what really went behind the scenes, what changed the network's mind, and at what point NBC realized that the late night landscape was going to be significantly shaken again. (Incidentally, I was also really curious to know how the contracts were drafted in the negotiations.)
It's quite ironic that all this went down precisely because they were trying to avoid the exact same thing that happened between David Letterman and Jay Leno back in the 1990s, following Johnny Carson's retirement from The Tonight Show. In the early 2000s, NBC wanted to have a "Prince of Wales" succession clause to secure the person who will "inherit" the throne of The Tonight Show and avoid any drama. The idea was brilliant and the identity of who the successor will be was clear: Conan. What did them all in was the timing.
I'll save you the trouble of reading the book and just refer you to the Wikipedia page linked above if you want to know the timeline of how it all went. But more than just the narration of events, what stood out more in the The War for Late Night was the very personal, and authentic depiction of the actual people involved in the fray. The network executives, the agents, the producers, even the competition at the time. (There's a great chapter on Letterman, but also a recognition of the other key players like Kimmel, Fallon, Colbert, and Stewart.) Most importantly, Conan and Jay.
I've always been Team Conan. He's loved by all, from young intellectuals to fellow comedians and artists. I love the guy, I admire the guy, I binge-consume any content of his that I can get my hands on (Podcast? check; Late Night classics? check; interviews on YouTube? check; Conan without Borders? check.) And the book is actually very sympathetic towards him, showing that in many ways, he really was the victim here. Many other factors were at play: the timing, the ratings, the lead-in, the bind that NBC head Gaspin was in considering the network's descent from the ranks. But it still all boils down to the fact that NBC didn't want him enough. They didn't want him to go elsewhere, but they were willing to break a promise made to him just to make more money. He didn't deserve to have The Tonight Show taken away from him like that.
But, the book also did a good job of showing Jay's side. He's a no nonsense kind of comedian. He wasn't innovative, he wasn't a genius. He didn't go to Harvard like Conan. But - and this is crucial - people loved him. He didn't appeal to the intellectuals, sure, but he is certainly well-liked by even the simplest of folks in Nebraska. He had mass appeal. And to top that off, he worked hard. Really hard. He didn't play into the celebrity schtick, he didn't mind not winning awards. He ran The Tonight Show like a ship, and it always landed at the same place: the top. He consistently beat Letterman in the ratings, something Conan couldn't do. You can't fault the network for wanting to give the keys back to him, especially after the variety show they offered him did not work.
Conan got a shitty lead-in during his stint at The Tonight Show because the network botched it with The Jay Leno show at 10:00 pm. But the fault here is to be placed squarely on the lawyers. Jay had the leverage between the two of them because his lawyers were able to secure for him a "pay-and-play" contract, as opposed to the usual "pay-or-play" (which was what Conan had). This contract guaranteed NBC would both air his program and pay him for up to two years, whether the program continued or not. This is completely different from Conan's The Tonight Show contract, which provided that NBC can either play his program for two years or pull the plug on the show and just pay him off, by network prerogative. Comparing both, NBC stood to lose more if they broke the contract with Jay than with Conan. The pay-and-play was unusual in the TV setting at the time, and there was no way Conan's lawyers could have anticipated that that was possible, because it wasn't an industry standard. But Jay's lawyers did. So his ass was saved by the network instead.
The book was published in 2010. Reading it now, in 2020, it's easy to say that Conan still eventually got the better end of the deal in the long run. Sure he never got to fully enjoy his tenure as the host of The Tonight Show. But he was able to diversify his content: he got to set up his own production company, has a podcast, shoots for a Netflix docuseries, has mockumentary shorts involving his staff, and still has a late night talk show, albeit on a cable channel now. He has the freedom to do whatever he wants, and that has only resulted in more hilarious, genre-bending, and entertaining content since then. In particular, his podcast and travel series show a different side of him, one that allows him to flesh out his conversations with his interviewee because he has more time to breathe and just be. The interviews he does now no longer focus on just, say, promoting a movie, or rehashing an oft-repeated anecdote. He has the opportunity to really get to know them, find out their stories, and all while sharing a little part of himself. Even in other forms of media, he's still somehow changing the game.
But at the same time, I can't help but wonder - what could have been? If he had remained at The Tonight Show, I think he would have eventually veered towards the same content (aimed at virality), while still maintaining his identity. Breaking the norms, making people uncomfortable, finding the silver lining even at the perverse. He may not be doing a Lipsync Battle or Carpool Karaoke - but I think audiences would have loved an updated Triumph the Insult Comic Dog just the same. He could have been breaking even more barriers, given the timeslot's reach.
Alas, it wasn't meant to be. And as with most things, we have no other choice but to look at it as a glass-half-full kind of situation. The late night format as we knew it had to end somehow. It was just unfortunate that it had to claim one of the greats as its victim.
One of my favorite post-Tonight Show Conan content though, is his speech for the 2010 graduating class of Dartmouth. It has all the ingredients of everything Conan: hilarious, ridiculous, well-researched, self-deprecating, and full of wit. But what stood out about this speech - and what makes me re-watch it from time to time - is his honesty. And the ability to turn his heartbreak into a catalyst for something more meaningful.
There are few things more liberating in this life than having your worst fear realized.
It is our failure to become our perceived ideal that ultimately defines us and makes us unique. It’s not easy, but if you accept your misfortune and handle it right, your perceived failure can become a catalyst for profound re-invention.
So, at the age of 47, after 25 years of obsessively pursuing my dream, that dream changed. For decades, in show business, the ultimate goal of every comedian was to host The Tonight Show. It was the Holy Grail, and like many people I thought that achieving that goal would define me as successful. But that is not true.
No specific job or career goal defines me, and it should not define you. In 2000 — in 2000, I told graduates to not be afraid to fail, and I still believe that.
But today I tell you that whether you fear it or not, disappointment will come. The beauty is that through disappointment you can gain clarity, and with clarity comes conviction and true originality.
Many of you here today are getting your diploma at this Ivy League school because you have committed yourself to a dream and worked hard to achieve it. And there is no greater cliché in a commencement address than “follow your dream.” Well I am here to tell you that whatever you think your dream is now, it will probably change. And that’s okay.
It's definitely a beautiful way of looking at failure. The road to success will always be paved with disappointments. That's a fact of life that we all have to come to terms with. But real success isn't solely measured by your ability to reach the top. It's also about the kind of person you've become while you were at it. Did you take advantage of someone else? Did you steal? Did you cause pain? I guess, my biggest take away from this book is that when things like this happen, there are no clear winners. On paper, there might be. But victory lies with whoever walked away with grace, humility, and compassion. So, with every triumph, we must never forget to ask: "At what cost?"
Forever echoing my favorite sign off from Conan:
Work hard, be kind, and amazing things will happen.
02 February 2020
I'm still trying to get my old reading groove back, which was, for better or for worse, altered permanently by law school. I'm only recently easing my way back into my old habits of enjoying sentences, taking my time, and not feeling like highlighting everything in preparation for a recitation or an exam. Reading a new book with the purpose of writing a review about it - instead of being quizzed on it - hopefully readjusts my lenses.
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(Photo credit: D Magazine)
An admission: for my first novel of the year, I chose The Pisces by Melissa Broder because I'm a Scorpio, and all astrology charts say that's my match. That's it. I had no idea what it was about, I didn't read any reviews, I didn't even realize it was from the same author as So Sad Today.
...until a little while later, when I came across this line:
I don’t know that we are ever really okay in life, but there are times when we feel closer to it, when we don’t remember what it feels like to suffer.
Broder knows melancholia; she nails that "less afraid of dying than actually living" feeling perfectly. This book, in a nutshell, is a story of an academic, Lucy, trying to cope with a break-up and eventually falling in love with a merman. Yep. The conceit is almost too insane, too science fiction-y to be taken seriously. But the narrative takes us on such a fascinating tale of sadness, obsession, and redemption - it's too painfully honest to dismiss.
Who was I if I wasn't trying to make someone love me?
When Lucy comes to terms with the aftermath of her breakup, she is rightfully depressed, needy, and judgmental. She tries to dive into her scholarly work but also finds a way to escape it. Eventually, she flies halfway across the country where the road leads her out to sea. But only after she comes across a string of losers, all of whom she gets to fuck - delightfully so, at times - but who never fully extinguish the gaping feeling of unworthiness inside her. And then comes Theo, emerging from the waves like a perfect marble statue. He's real, and offers her everything she needs: great cunnilingus and a complete understanding of her loneliness.
At the core of the novel is Lucy's unfinished dissertation on Sappho and her lyrical poems. Her central thesis is that the missing pieces in Sappho's work are intentional: they were erased for a purpose. She herself admits that it's shaky at best; but she's already spent years on the work, so she keeps at it. Which, as we eventually learn, is how she deals with a lot of things in her life: trying to make something out of nothing. Trying to find meaning amidst the emptiness.
I had been mistrustful of love, of anything, really, that came too easily, as though it were fool’s gold and could one day disappear. I had spent so much time creating friction for myself: not only in whom I chose to love but in the work I did. I’d made my thesis impossibly hard- harder than it needed to be, ensuring that I might never complete it. Somehow it always felt safer psychologically to do that. But where had it gotten me?
At first, the idea of Theo being this ideal, immaculate merman was problematic for me. Given how obviously depressed Lucy was, having someone this perfect would only lead to destruction. But as the story played out, it became clear that he had to be flawless in order to fully unpack Lucy's contempt for herself. The relief he gives her - intoxicating and overwhelming, yes, but it was (or so it seemed) truly unconditional. "I wanted to create that feeling and live in it for as long as I could," she says of her feelings for Theo. And eventually she learns that this feeling of being worshipped, of being adored - it truly empowered her, even until the bitter end.
Falling in love with a Siren meant certain death, but perhaps this was the greatest love: to die in feeling. This was the greatest annihilation—the highest purpose—the Sirens themselves are not evil. They were simply giving human beings the greatest gift they could possibly give them, to die intoxicated by love and lust. What better way to die?
(As an aside, this novel also has a perfectly apt and poetic description of a climax:
This was pure sound. It was as though his mouth emitting pure nature. His mouth was like a shell that you could put to your ear. Or maybe we were nature together? Were we shells or were we animals? Or one shell and one animal? No, we were two fish swimming in circles around each other, playful and spared of memory, unaware that we had ever been born and that we would ever die. We were connected now not only with all of human history—all the human lovers of the past—but with animal history as well. I’d been having sex for years. I’d had it hundreds, maybe thousands of times, but it was like I finally understood what sex was. There were only so many things in our lives that connected us to all of our ancestors, to all of humanity and to the animals. Poetry was one thing that bridged generations. But this was a big thing. This encompassed every species. Otherwise what was there? There was birth and death. There was eating food, drinking fluid, pissing and taking shits. There was this.
A serving of that, please.)
Throughout the novel, Lucy is forced to navigate through her bewildering thoughts, fantasies, and obsessions even as she makes questionable choices in life and love. She learns the dangers of navigating codependency, as she struggles to reconcile wanting to be strong and being driven to self-destruction because of it.
The Pisces embraces being sad, and being unashamed of it. Or at least being fully aware, and learning how to live with having that nothingness pervade your being. It doesn't mean you are not capable of love. On some days, that emptiness may feel easy to dismiss, more definite and persisting on others. But it’s just there. And that isn't to say you cannot love with that gaping hole. I actually think the novel says the opposite: to love is to love. And that purity is not lost in the black hole of our uncertainty, our sadness, our melancholy. We have to come to terms with our own flawed carcasses - and eventually, other people’s flawed carcasses - somehow trusting that such failings will never be insurmountable when love arrives. And believing that believing itself is a battle already won.
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